BMB 655 Module 10 Final Project Example

Reviewed by Portia Lambrick, MBA

This BMB 655 Module 10 Final Project sample presents a complete three-year financial plan for a music company, drawing together the course's analysis, valuation and funding work. SNHU BMB 655 (BMB-655) closes the MBA in Music Business finance course with this plan. A composite songwriter-owned publisher in Nashville has bought a 600-song catalog, plans to keep signing writers, has taken a stake in a licensing startup and may buy a second catalog. The plan sets financial goals, projects results and cash flow for 2026 to 2028, lists investments and their funding, sets debt limits and measures, and defines the triggers that would slow spending if royalty income weakens.

CourseBMB 655 Music Business Finance
ModuleModule 10
Paper typegraduate final project financial plan for a music company
LengthAbout 1,010 words, 6 pages
FormatAPA 7 student paper
SchoolSouthern New Hampshire University
ProgramMBA in Music Business
UpdatedOctober 2026

Free sample paper for BMB 655 Module 10

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Financial Plan, 2026-2028

[Student Name]

Southern New Hampshire University

BMB 655: Music Business Finance

Final Project

[Instructor Name]

[Date]

The organization, setting and figures below are a composite written as a model document. No real employer, client, colleague or patient is described.

What this page is doingThe plan's period is its title.
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Financial Plan, 2026-2028

Introduction

This plan is written for the publisher's three founding songwriters and for its lender. It brings together the analysis of the company's performance, the purchase of a 600-song catalog and the funding plan into a single view of 2026 to 2028. It sets goals, projects results and cash, lists investments and their funding, defines the measures that will be watched and states what the company will do if royalty income weakens.

What this page is doingPurpose and audience.
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Goals

The founders' goals are growth, steadier income and control. In financial terms, the plan aims to grow the net publisher's share by at least 8 percent a year, to reduce the share of that income produced by the top twenty-five songs from 41 percent to under 30 percent by 2028, and to fund all investments without giving up ownership. These goals pull in different directions at times: buying catalogs increases growth and reduces concentration but adds debt, and the plan's limits are designed to balance them.

What this page is doingWhat the plan is meant to achieve.
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Key Assumptions

The company's own catalog grows about 1 percent a year, consistent with its recent history of slow decline in older songs offset by growth in newer ones. The acquired catalog earns about $338,000 a year in net publisher's share, declining 1 percent a year, plus administration savings and new sync income. New writers signed each year add modest income from their second year. Writer royalties stay at about 56 percent of revenue on the existing catalog. Interest on the catalog loan is 7.75 percent. A second catalog of about $2 million is assumed purchased at mid-2028, contributing half a year of income. Damodaran (2012) warns that projections are only as good as their assumptions, and each is drawn from the earlier analysis.

What this page is doingWhat the projections rest on.
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Projections

Projected results, in thousands of dollars

Item2025 actual202620272028
Revenue3,9004,3304,9805,310
Net publisher's share1,7201,9802,3602,560
Operating income510560820900
Operating cash flow380620860960
Debt service40270340410
Cash flow after debt service340350520550
Total debt at year end6002,8502,6003,750
Debt to operating cash earnings1.63.02.42.9

Growth comes mainly from the acquired catalog, whose full-year income begins in 2027. Debt rises in 2026 with the purchase and again in 2028 if the second catalog is bought, staying at or below the policy limit of three times operating cash earnings. The ratio touches the limit in 2026 because the acquired catalog's income has not yet fully arrived; it falls in 2027 as income catches up.

What this page is doingResults and cash by year.
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Investments

Writer advances of about $180,000 a year continue, with the expectation from the company's records that about three quarters of advance dollars will be recovered. The $400,000 stake in the licensing startup is paid over 2026 and 2027 and treated as a separate investment, not included in operating projections; its value will be reviewed when the startup reaches 500 paying customers. A second catalog, if found at a price supported by valuation, is the plan's largest discretionary use. Towse (2017) notes that publishers' value lies in owning copyrights that keep earning, which is why catalogs remain the core of the plan.

What this page is doingWhere the money goes.
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Funding

The plan follows the pecking order that Myers (1984) described: internal cash first, then catalog-secured debt, with outside equity declined. Internal cash funds advances and the startup stake; the existing $2.4 million catalog loan funds the 2026 purchase; and a second catalog would be financed about 70 percent by an extension of that loan. A $400,000 credit line covers seasonal gaps. Brealey et al. (2020) note that the right amount of debt balances its tax and cost advantages against the risk of financial distress, and the debt limits below are set with that balance in mind.

What this page is doingHow it is paid for.
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Measures

The founders and the lender will receive a quarterly report on six measures: growth in the net publisher's share, the top twenty-five songs' share of it, advance recovery for writers signed since 2020, debt relative to operating cash earnings, coverage of debt service and cash on hand. Each has a target or limit: growth of at least 8 percent, concentration falling each year, recovery of at least 70 percent, debt below three times cash earnings, coverage above 1.5 and cash above $600,000.

What this page is doingWhat will be watched.
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The Second Catalog Decision

The 2028 purchase is the plan's largest uncertainty, so the projections were also run without it. Without a second catalog, 2028 revenue would be about $5.0 million, operating income about $830,000 and debt about $2.35 million, falling to 1.9 times operating cash earnings. Concentration in the top twenty-five songs would fall to about 33 percent rather than below 30, missing the goal by a few points. The plan therefore treats the second catalog as optional: it should be bought only if a catalog of roughly the right size and age profile can be found at a price supported by valuation, and only if the company is within its debt limits at the time. If no suitable catalog appears, the concentration goal can still be approached through new writer signings, more slowly.

What this page is doingOptional, not assumed.
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Contingencies

Two triggers are set in advance. If streaming-related income falls 15 percent below plan for two consecutive quarters, new advances are paused and the second catalog search is suspended. If coverage of debt service falls below 1.5, the company will apply surplus cash to the loan and defer discretionary spending until coverage recovers. A downside projection with a 15 percent fall in streaming income from 2027 shows operating income of about $560,000 in 2028 and coverage of about 1.4 without a second catalog, which is manageable once spending is paused.

What this page is doingWhat happens if royalty income weakens.
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Conclusion

Over three years the plan grows the company's income by more than 40 percent, mainly through the acquired catalog, reduces dependence on a few songs and keeps ownership with the founders. It is funded by internal cash and catalog-secured debt within clear limits, and it states in advance what the company will do if streaming income weakens. The founders keep full ownership throughout, which was their first condition, and the lender receives the same quarterly measures they do.

What this page is doingThe plan is summarized.
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References

Brealey, R. A., Myers, S. C., & Allen, F. (2020). Principles of corporate finance (13th ed.). McGraw-Hill Education.

Damodaran, A. (2012). Investment valuation: Tools and techniques for determining the value of any asset (3rd ed.). Wiley.

Myers, S. C. (1984). The capital structure puzzle. The Journal of Finance, 39(3), 574-592. https://doi.org/10.1111/j.1540-6261.1984.tb03646.x

Towse, R. (2017). Economics of music publishing: Copyright and the market. Journal of Cultural Economics, 41(4), 403-420. https://doi.org/10.1007/s10824-016-9268-7

What the BMB 655 Module 10 instructions ask for

The BMB 655 Final Project asks you to present a financial plan for a music company that combines your earlier analysis, investment decision and funding recommendation. Guidelines usually require financial goals, projected income statements and cash flows for several years, planned investments, the funding plan, key measures and a discussion of risks and contingencies. The plan should read as a coherent document for owners or investors, not as a set of separate assignments. Expect graders to check that the same figures appear consistently across every section. Strong plans make their assumptions explicit, show how the investments change the company's risk and income, and state in advance what the company will do if results fall short.

How this BMB 655 Module 10 final project example is built

The plan opens with three goals: grow the publisher's share of income by at least 8 percent a year, reduce dependence on the top twenty-five songs from 41 to under 30 percent, and keep control with the founders. Projections show revenue rising from $3.9 million in 2025 to about $5.3 million in 2028, mainly from the acquired catalog, with operating income near $900,000 by 2028. Investments include writer advances, the startup stake and a possible second catalog, funded from cash and catalog debt within set limits, with a version of the projections that leaves the second catalog out. Measures track concentration, advance recovery and coverage, and triggers pause spending if streaming income falls 15 percent or coverage drops below 1.5.

Where the BMB 655 Module 10 rubric puts the points

Final Project scoring typically considers the clarity of goals, the quality of projections and assumptions, the integration of investments and funding, measures and controls, risk and contingency planning and professional presentation. High-scoring plans connect every number to an assumption, show how each investment affects income and risk, keep the funding plan consistent with the projections and define specific triggers for action. They also stay close to the owners' stated goals and show a version of the plan without its most uncertain investment. Plans lose credit for projections without assumptions, for investments that do not appear in the funding plan, for goals that cannot be measured and for risk sections without actions.

BMB 655 Module 10 help: the mistakes that cost points

Final financial plans often repeat earlier milestones without connecting them. Build one set of projections that includes every investment and every funding source, so the reader can see the plan's total effect on income, cash and debt. State goals as numbers and show how the plan reaches them. Make contingencies specific: name the measure, the threshold and the action, such as pausing advances if coverage falls below a set level. Write for the owners, who will care about control and risk as much as growth, and keep technical detail in tables. Run the projections with and without any optional investment, so the reader sees what the plan depends on.

Get BMB 655 Module 10 written to your instructions

Send the BMB 655 Final Project guidelines with your milestones. The plan will set goals, project three years, list investments and funding, define measures and set triggers for bad years. About two days; your first final project is written free. The paper above is an original model document written by our desk, not a submitted student paper and not an official Southern New Hampshire University document.

More BMB 655 papers and related MBA in Music Business samples

BMB 655 Module 10 questions, answered

Where can I find a free BMB 655 Module 10 Final Project sample?

The complete BMB 655 Final Project financial plan for a Nashville music publisher is on this page.

What should a music company's financial plan include?

Financial goals, multi-year projections of income and cash flow, planned investments, a funding plan, measures to track and contingencies for adverse results.

How should financial goals be set for a music business?

As measurable targets tied to the owners' aims, such as growth in net publishing income, reduced concentration in a few songs and limits on debt.

What are contingency triggers in a financial plan?

Predefined thresholds, such as a fall in royalty income or a coverage ratio, that set off specific actions like pausing investments or reducing costs.

Why track income concentration in a music catalog?

Because a catalog that depends on a few songs is riskier and worth less, so reducing concentration is a financial goal in its own right.